“At 40 minutes, the First Concerto has its longeurs...But it's beautifully shaped by Martyn Brabbins, with a warm resonant sound to the recording, and Chloe Hanslip's entry doesn't disappoint. There's a lovely depth to her tone in the dolce first theme, and the acrobatics which Vieuxtemps puts her through...are meaningfully phrased with a variety of tone and dynamics.” ..BBC Music Magazine, July 2012 ****
“rhythmically taut, meticulously executed performances...few will be able to resist Hanslip's deliciously coquettish handling of the rondo movements of both concertos.” --Gramophone Magazine, July 2012
“rhythmically taut, meticulously executed performances...few will be able to resist Hanslip's deliciously coquettish handling of the rondo movements of both concertos.” --Gramophone Magazine, July 2012
“Hanslip brings a wealth of neatly sculpted phrasing to bear to the E major, her feminine sounding wistfulness warmed with just enough tremulousness to vest the music with a particularly satisfying sense of characterisation.” --MusicWeb International, June 2012
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