“Both the veteran Wit and the 36-year-old pianist Eldar Nebolsin approach it with a mixture of seriousness and poise, showing a complete identification with Chopin’s language... Nebolsin [is] comfortably among the finest interpreters of his generation.” --BBC Music Magazine, July 2011 ****/*****
“The Warsaw Philharmonic and their conductor Antoni Wit must have accompanied the Second Piano Concerto many dozens of times, but you wouldn't think so from their fresh, anti-routine way with the concerto's orchestral introduction.” --Classic FM Magazine, January 2011 ***
“The Warsaw Philharmonic and their conductor Antoni Wit must have accompanied the Second Piano Concerto many dozens of times, but you wouldn't think so from their fresh, anti-routine way with the concerto's orchestral introduction.” --Classic FM Magazine, January 2011 ***
Eldar Nebolsin (piano)
Warsaw Philharmonic Orchestra, Antoni Wit
Using the new Polish National Chopin Edition, acclaimed pianist Eldar Nebolsin and Poland’s national orchestra conducted by the renowned Polish conductor Antoni Wit, here present fresh interpretations of Chopin’s great works for piano and orchestra.
The Second Piano Concerto was written before the first and completed in 1830, the year in which the composer set out for Vienna and then Paris. Chopin’s Variations on Là ci darem la mano, bear witness to his admiration for Mozart, instilled by his earliest teacher, the Bohemian Wojciech Žywny.
The Grande Polonaise brillante in E flat, Op. 22, was written in Vienna, and later augmented with the introductory Andante spianato.
Warsaw Philharmonic Orchestra, Antoni Wit
Using the new Polish National Chopin Edition, acclaimed pianist Eldar Nebolsin and Poland’s national orchestra conducted by the renowned Polish conductor Antoni Wit, here present fresh interpretations of Chopin’s great works for piano and orchestra.
The Second Piano Concerto was written before the first and completed in 1830, the year in which the composer set out for Vienna and then Paris. Chopin’s Variations on Là ci darem la mano, bear witness to his admiration for Mozart, instilled by his earliest teacher, the Bohemian Wojciech Žywny.
The Grande Polonaise brillante in E flat, Op. 22, was written in Vienna, and later augmented with the introductory Andante spianato.
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