“Carmignola is certainly master of his [instrument], not simply technically but expressively too. His bow almost talks as it shapes a motif, turns an ornament, sings a line...ensemble is first-rate.” --BBC Music Magazine, May 2013 ****
“the sound is indeed hard-driven and exciting, full of those pulsating unisons and relentless sequences with which Vivaldi powers his music. But there is also incredible delicacy and refinement here, and Carmignola's wiry sound is a world away from the tubby, rich Vivaldi performances of yore...Superb support from the Accademia Bizantina.” --The Observer, March 2013
“the sound is indeed hard-driven and exciting, full of those pulsating unisons and relentless sequences with which Vivaldi powers his music. But there is also incredible delicacy and refinement here, and Carmignola's wiry sound is a world away from the tubby, rich Vivaldi performances of yore...Superb support from the Accademia Bizantina.” --The Observer, March 2013
Despite the popularity of works such as The Four Seasons and La Stravaganza, many of Vivaldi’s 250 concertos for violin remain largely unknown.
The new recordings of the concertos RV 187 and 281 are based on Vivaldi’s original manuscript scores and capture the thrilling spontaneity of his compositional style. The concerto RV283 also includes a previously unpublished cadenza from the notebook of Vivaldi’s protégé Anna Maria.
Very much a man of the 21st Century, Giuliano Carmignola combines his passion for the baroque with his love of motorcycling, which he calls, “Vivaldi con moto - motion and emotion from a MOTOcyclist-musician.”
Internationally known as a harpsichord player and conductor of baroque opera, Ottavio Dantone has directed his Accademia Bizantina on many acclaimed recordings, including three albums with star countertenor Andreas Scholl.
The new recordings of the concertos RV 187 and 281 are based on Vivaldi’s original manuscript scores and capture the thrilling spontaneity of his compositional style. The concerto RV283 also includes a previously unpublished cadenza from the notebook of Vivaldi’s protégé Anna Maria.
Very much a man of the 21st Century, Giuliano Carmignola combines his passion for the baroque with his love of motorcycling, which he calls, “Vivaldi con moto - motion and emotion from a MOTOcyclist-musician.”
Internationally known as a harpsichord player and conductor of baroque opera, Ottavio Dantone has directed his Accademia Bizantina on many acclaimed recordings, including three albums with star countertenor Andreas Scholl.
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