Robert Levin and the Academy of Ancient Music Chamber Ensemble provide a look back through time. These pieces are now quite familiar to listeners who, for the most part, have heard them played with only contemporary instruments. Levin's fortepiano and the period instruments of the Ensemble give the music a much different feel. It seems fitting to a smaller room--a more intimate performance.
Mozart's Quintet for Fortepiano and Wind Instruments (K. 452) is structured much like a concerto and was one of the composer's own favorites. Levin and the Ensemble strive for consummate authenticity in performance, and the effort is well-rewarded.
The included Beethoven pieces may have similar orchestration, but the difference in style is apparent. They take on regal airs, contrasting with Mozart's lyrical serenity. Even with period instruments, Beethoven's compositions fill the room with sound, swelling with pride and enthusiasm.
Levin's reputation as a master of the fortepiano is well-earned. His performance is studied, yet full of personality. The Academy of Ancient Music Chamber Ensemble excels as well.
The included Beethoven pieces may have similar orchestration, but the difference in style is apparent. They take on regal airs, contrasting with Mozart's lyrical serenity. Even with period instruments, Beethoven's compositions fill the room with sound, swelling with pride and enthusiasm.
Levin's reputation as a master of the fortepiano is well-earned. His performance is studied, yet full of personality. The Academy of Ancient Music Chamber Ensemble excels as well.
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