“an exceptional set of works performed by a young organist with outstanding skill.” --MusicWeb, May 2013
The Passacaglia is a musical form based on a repeated bass line over which variations are composed. The form was popular during the 17th century but proved to be a challenge in its structural restrictions for composers of later periods, continuously renewing and extending the form, while keeping to its basic formula.
The Passacaglia is a musical form based on a repeated bass line over which variations are composed. The form was popular during the 17th century but proved to be a challenge in its structural restrictions for composers of later periods, continuously renewing and extending the form, while keeping to its basic formula.
This original program brings together composers from 4 centuries: from Kerll, Couperin, Buxtehude and the monumental Passacaglia in C minor by J.S. Bach, far into the 20-th century with Reger, Shostakovich and Jan Welmers.
Recorded on the magnificent Martti Pothan organ Kotka Church in Finland, by young virtuoso Matthias Havinga, whose earlier recording on this organ (Brilliant Classics 94203) with Italian Concertos by J.S. Bach received enthusiastic reviews in the press.
New recording, including extensive liner notes and information on the instrument. Consisting of variations framed in a constantly repeated basso ostinato, the passacaglia is a musical form with a long and fruitful history. This release is dedicated to eight such examples which, taken from four countries and all performed on the organ, divide either side of the year 1800 to reveal the form’s extensive and inventive development over time. The passacaglia was particularly popular during the 17th century, when it became known for its limited range of keys, slow triple meter and short, simple theme of two or four.
Recorded on the magnificent Martti Pothan organ Kotka Church in Finland, by young virtuoso Matthias Havinga, whose earlier recording on this organ (Brilliant Classics 94203) with Italian Concertos by J.S. Bach received enthusiastic reviews in the press.
New recording, including extensive liner notes and information on the instrument. Consisting of variations framed in a constantly repeated basso ostinato, the passacaglia is a musical form with a long and fruitful history. This release is dedicated to eight such examples which, taken from four countries and all performed on the organ, divide either side of the year 1800 to reveal the form’s extensive and inventive development over time. The passacaglia was particularly popular during the 17th century, when it became known for its limited range of keys, slow triple meter and short, simple theme of two or four.
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