Hiển thị các bài đăng có nhãn Benedetto Marcello. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Benedetto Marcello. Hiển thị tất cả bài đăng

Thứ Tư, 18 tháng 9, 2013

The Musical Treasures of Leufsta Bruk I


In the 18th century, Leufsta Bruk – some 140 kilometres northwest of Stockholm – was the centre of a major industry producing iron both for Swedish needs and for export. It was a little principality in the middle of the forest governed by the descendants of Louis De Geer, a Belgian financier who developed the ironworks. The family was highly cultured and musical, and in particular Charles De Geer, a noted scientist as well as industrialist, contributed greatly to the remarkable collection of musical scores at Leufsta. These scores were to a large extent brought from Amsterdam and mirror the development of music and music publishing on the continent, as well as the musical activities at a flourishing Swedish manor of the period.


Not surprisingly the collection – and this disc – contains music by well-known composers such as Vivaldi and Tartini, but there are also rarely heard works, for various instrumental combinations. Duets, keyboard solos, trio sonatas and the charming collection of ‘Boer Dances’ bear testament to the entertainments – often with the active participation of members of the De Geer family themselves – that enlivened the evenings at Leufsta in the mid-18th century.

Bringing these musical treasures to life is the Drottningholm Baroque Ensemble, whose many recordings on BIS have created a following around the world. Released in 1985 their version of Vivaldi's Four Seasons, with soloist Nils-Erik Sparf, is considered one of the classic recordings of this work. A much later disc, Telemann’s Don Quixotte (BIS-CD-1226) was recommended by the Spanish magazine CD Compact, and received a 5 star review in BBC Music Magazine, containing the following words of praise: 'the Drottningholm musicians capture all with admirable esprit and no breaches of stylistic decorum.' The same may safely be said about the present recording.

Thứ Sáu, 3 tháng 8, 2012

In Venice


“A modern player goes Baroque to offer up a dish of Venetian delights. …the programme is… a well chosen comparison of Vivaldi with some of his finest Venetian contemporaries. …Mayer plays the music tremendously well.” --Gramophone Magazine, November 2008

“…Mayer's… sweet, rounded tone, wide range of dynamics and impeccable articulation are a constant delight…” --BBC Music Magazine, January 2009 ****





“This Venetian album features concertos by Vivaldi, Albinoni, Giovanni Platti, Antonio Lotti and the Marcello brothers Alessandro and Benedetto, to which Mayer responds with virtuoso artistry and a singer's sensitive flexibility of nuance.” --The Telegraph, 9th August 2008

“Mayer plays modern instruments, and the works are given at modern concert pitch, so even though the accompanying strings and continuo play with just one instrument to a part, the performances have a richness that is distinctly different from today's usual period-instrument accounts. Mayer is a superb musician, with a wonderful sense of line and articulation, and gives all this music a grace and poise. There are no masterpieces here, but the disc is a more than pleasant, undemanding listen.” --The Guardian, 15th August 2008 ****